In Piazza San Francesco a few steps from the church named after the Saint of the eighteenth century Villa Paola opens Philippine. The writer, being first, unexpectedly, a sort of amusement park (closed at the time) and a series of insurmountable hurdles, was unable to photograph the chapel dedicated to St. Philip Blacks and best-preserved frescoes of the porch. 
Manifesto at the entrance to the Managers of the complex, from which I drew some of the historical
news and current affairs relating to the Villa.
"Madonna della Vallicella" . 
A corner of the "open space arcaded courtyard with porticoes on three sides 140 meters long."
A stretch of the south porch painted. 
Frescoes of the south porch. 
worked great painters of the frescoes as Vito D'Anna (1718-1769) and Antonio Manno (1739-1810).
Fresco in the west porch. 
The west porch with coffee. 
Affresco ad ornamento di una ex edicola votiva nel portico occidentale. 
"Fontana quadrata in marmo di billiemi con statue di Santi (in origine 6)". 
La fontana opera di Gioacchino Vitagliano (1669-1739). Effigiati, tra gli altri, San Francesco di Sales e San Filippo Neri.
Il portale di'ingresso visto dall'interno. 
The portrait of Angelo Serio (1767) attributed to Ignatius Marabitti (1719-1797). A Father Angelo, the Congregation of St. Philip Blacks,
was responsible for the construction of the Villa, which took place between 1755 and 1757.
Photo of Uncle-silent
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